The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study
Identifieur interne : 001595 ( Main/Exploration ); précédent : 001594; suivant : 001596The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study
Auteurs : George N. Caldwell [Royaume-Uni] ; Leigh M. Riby [Royaume-Uni]Source :
- Consciousness and cognition : (Print) [ 1053-8100 ] ; 2007.
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Abstract
Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.
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Riby</name><affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road</s1><s2>Glasgow G4 OBA</s2><s3>GBR</s3><sZ>1 aut.</sZ><sZ>2 aut.</sZ></inist:fA14><country>Royaume-Uni</country><wicri:noRegion>Glasgow G4 OBA</wicri:noRegion></affiliation></author></analytic><series><title level="j" type="main">Consciousness and cognition : (Print)</title><title level="j" type="abbreviated">Conscious. cogn. : (Print)</title><idno type="ISSN">1053-8100</idno><imprint><date when="2007">2007</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">Consciousness and cognition : (Print)</title><title level="j" type="abbreviated">Conscious. cogn. : (Print)</title><idno type="ISSN">1053-8100</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Cognition</term><term>Consciousness</term><term>Event evoked potential</term><term>Human</term><term>Information processing</term><term>Music</term><term>Musician</term><term>Preattention</term><term>Preference</term><term>Stimulus familiarity</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>Musique</term><term>Traitement information</term><term>Préférence</term><term>Conscience</term><term>Cognition</term><term>Potentiel évoqué cognitif</term><term>Préattention</term><term>Musicien</term><term>Familiarité stimulus</term><term>Homme</term><term>Genre musical</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Musique</term><term>Homme</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.</div></front></TEI><affiliations><list><country><li>Royaume-Uni</li></country></list><tree><country name="Royaume-Uni"><noRegion><name sortKey="Caldwell, George N" sort="Caldwell, George N" uniqKey="Caldwell G" first="George N." last="Caldwell">George N. Caldwell</name></noRegion><name sortKey="Riby, Leigh M" sort="Riby, Leigh M" uniqKey="Riby L" first="Leigh M." last="Riby">Leigh M. Riby</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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